This Tony Award-winning play is the story of Annie Sullivan and her student, Helen Keller, who lost her sight and hearing at the age of 19 months. With compassion, humor and dramatic tension, The Miracle Worker explores the volatile relationship between a lonely teacher and her headstrong charge.

It’s four days before Christmas in the tiny town of Tinsel, Texas, and a colorful parade of eccentric guests arrive at the Snowflake Inn and deck the halls with holiday hilarity. this family-friendly Jones Hope Wooten Christmas comedy is more fun than a joyride in a one-horse open sleigh!

In this Tony Award winning musical et in a 1930s European perfumery, shop clerks, Amalia and Georg don’t see eye to eye, but they are unknowingly exchanging love letters after they both respond to a “lonely hearts advertisement” in the newspaper, Join Amalia and Georg as they discover the identity of their true loves… and all the twists and turns along the way!

Hilarity abounds in this hit comedy by Neil Simon which showcases three different couples successively occupying a suite at The Plaza in New York

This Tony award winning musical comedy features six adults portraying preteens competing in a spelling bee. While disclosing hilarious and touching stories from their home lives, the tweens spell their way through a series of (potentially made-up) words, hoping never to hear the soul-crushing, pout-inducing, life un-affirming “ding” of the bell that signals a spelling mistake. Six spellers enter; one speller leaves a champion! At least the losers get a juice box. It’s a funny and touching ride, complete with audience participation.

Winner of the Tony Award and Pulitzer Prize for Best Drama, this impassioned drama highlights the lives of eight people hiding from the Nazis in a concealed storage attic. The story captures the realities of their daily existence—their fear, their hope, their laughter, their grief.

An announcement in the local paper states the time and place when a murder is to occur in Miss Blacklock’s Victorian house. The victim is not one of the house’s several occupants, but an unexpected and unknown visitor. What follows is a classic Christie puzzle of mixed motives, concealed identities, a second death and a determined inspector grimly following the case’s twists and turns.

Elwood P. Dowd insists on including his friend Harvey in all of his sister Veta’s social gatherings. Trouble is, Harvey is an imaginary six-and-a-half-foot-tall rabbit. To avoid future embarassment for her family—and especially for her daughter, Myrtle Mae—Veta decides to have Elwood committed to a sanitarium. At the sanitarium, a frantic Veta explains to the staff that her years of living with Elwood’s hallucination have caused her to see Harvey also, and so the doctors mistakenly commit her instead of her mild-mannered brother. The truth comes out, however; Veta is freed, and the search is on for Elwood, who eventually arrives at the sanitarium of his own volition, looking for Harvey. But it seems that Elwood and his invisible companion have had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn’t so bad after all.